These intimate songs we sing,
blend aged dreams into a ring,
that weds our gendered stew,
in matrimonial oneness not new.
It is more than a shade easier for a girl to be corrupted sexually, than it is for a boy. A girl is naturally more endowed with the implements to lean back on and conveniently make a living off in the dark, more than her male counterpart.
Besides, her clients are naturally conditioned to pour in, in droves. Most times, the girls are culturally pressured to play along when economically tasked. It is a merry go round legacy they inherit and grow up to bequeath to their successors.
When they are hounded out by circumstances, covered and wrapped up in the uncertainty’s mist, they avert the gaze of morality and succumb, expectantly. The spurious infallible laws of most customs appear to be in one long corroboration mode with nature to shortchange the woman.
While the woman cannot fathom the unending impertinence to the legality of her fight, she recognizes them easily. To some degree, this dependency of hers is harnessed for her, such that she perceives them as right. She feels as virtuous as compelled.
On the other hand, the mans indignant antecedents are never realigning their reliability. Even when the woman excels and is allowed to glut, she endlessly feels more of a consultant than a senior employee in this living enterprise. It isn’t an issue of semantics or shades, it is purely double standards by nature. It is as simplistic as that. It never ceases, even when possibilities are marginally upped or proclaimed.
Even when the possibilities that abound for her are marginally upped or proclaimed and redeemed, they continually humiliate her painstaking efforts still. But the woman is nevertheless passionate in her continuous efforts, never abandoning her tedious trials.
Yet at the peak of her fiercely gotten triumphs, her rich tapestry would still feel like her man’s discarded rags. It feels destined that men will manage to mount the wild cow of the woman’s fears and boldly grab her swaying horns into submission.
The irony of it all is, at the right time for her to make a decision to split open his dominance, she never actually does. Instead, obsessed by her peculiarity, she omits to be steadfast, prune her potentials, squint naturally, not wink pretentiously. His sun shines on as her eclipsed moon and leaves no traces again.
As far as life is concerned, the sole weapon nature endowed her with is submerged within her and confined to her thoughts only. The very core of her difficulty is a theorem nature had solved long ago, which time and man hadn’t yet changed, though they never don’t stop trying.
The man cannot ever emotionally harm himself with pictures of the woman he conjures up his mind. It is only this folly he might choose to try to cringe from, he is either hooked up or not. His broken heart is misinterpreted to atone nothing and to wrestle away from his dominance, the undercut tactics the woman can resort to and rely on; tends to neglect the fact that it cant quench the thirst it slakes.
The woman remains the smelling monstrous carcass in the mans dreams. He only needs to wake up every morning and go on with his life. She is only an eye witness to his dreams and cannot step into his living world, unless he decides to enroll her. The turbulence that is her apprehension for some control gathers momentum to be slighted.
The key central delight the woman enjoys the most for all time is her procreation grant, and only because the natural trepidation of time uses her with it. Even then the consternation involved in bringing forth a physical marvel someone else had sired inside her, is apathetic. It is like a badly crippled spider delighting on the spoils provided by another spiders cobwebs. She endlessly baffles at how easily her active role is truncated. The passive contribution of the man hinders the glory of her pain.
Unclouded by the impersonation of her man, in the flurried act of birth, the fierce heat of subtle neglect by tradition always insults her ultimately. The man ever lives on, strutting along in accepted honour for just being a cameo of sorts. While the woman can merely dramatize her emotions, still only skeptical whether she is honoured or not, abhorred or exalted. She never really knows and can tell quite little.
The diatribe lingers, intruding incessantly on her real position as the harbinger of life and love. She has to rely on this bias acceptance which she is infinitely chastised and castigated for. It is perplexing how the eccentricity of the situation belittles her, when it should celebrate her. But there is an eternal good in all this, granted that this portrayal seduced her. It understandably ought to make her deficient of undying love. It would make anyone else inescapably furious. Being so indulged in this solitary abstraction is quite punitively irritable. Dot on the spot, it scotches logic with tentative and doubtless ease. Still well acquainted with not just insinuated, outrageous accusation of it being a mere tool and not the worker, she remains doggedly devoted.
She exhibits an earnest and distilled shine of love and extraordinary dedication. Trembling with genuine affection she actually reinforces her floundering faith in her man, lavish him with some more of her branded selfless love. The spontaneity of which is not tarnished with any misplaced aggression on her part. The calculated belittling of her is conspicuous. But the conviction of all this natural, as well as artificially crafted cruelty notwithstanding, it triggers off what become a bloom of mild beautiful eruption.
Regardless of whether the woman is treasured and receives a big bequest, she is fascinated by her masculine distractor. Her dedication may stumble and still it deepens into an overall vital part of the mans wellbeing. She delved into living this way fully, only hesitating to sparingly investigate a partner. Whether she unearths a chunk of coal or a gold nugget, is inconsequential to her. She gives the man his ratcheting room, to make up his mind if he would harm or protect her and her interests. Rather than dawdle about, wondering which kind of person he will be, she decides which kind of person she is.
Weddings ceremonies are the best hunting grounds for prospective future spouses. At weddings there are lots of like-minded persons converged in one gaily gathering to aspire for their own similar moments, hopeful of celebrating future successes or glutting over past misadventures in the marriage enterprise. It is mainly the latter, but it doesn’t show through all the exotic attires and deceptive cheery faces worn. There are lots of near misses in these mostly elusive searches for the perfect matrimony and the countless losers always out number the winners.
So at weddings most of the well wishers carry fake smiles that do not paint the reality in their hearts on the picture on their glowing faces. Yet those who either had it bad before or not, will try again to mislead yet another possible victim of another lingering incompatible union and lure them into yet another hopeful pathetic try.
I miss old ways in past years,
Those old nays and crude yeas.
I crave for the meal I never ate;
Yearn so much for a feel I never met.
I miss soft tapping finger tips,
Strapped swinging held swaying hips,
Swishing feet on glittering marbled floors,
Flowing gowns, paired feet in coupled fours.
I miss good music guided by tiny sticks,
Quiet audiences in silent peace that reeks.
And when they dance, its like a mute hymn,
Tapping away on hard soles, following a rhythm.
I miss husky sleepy humming lullabies,
With honest night stories full of nice lies.
I miss trained hands on black and white ivory keys,
And the sweet old past would ever numb all knees.
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